My sister got married to a great guy this weekend. I was a groomsman, my wife was a bridesmaid and our two little girls were the flower girls.
As I had duties during the day, I couldn't take as many pictures (or the kinds of pictures) as I normally would at an event like this, but I got a few I'm pretty happy with. These are all taken with the Panasonic 25mm/1.4 on the Olympus OM-D E-M5.
The full set is available here. Below are a selection of my favourites.
When reading about photography, I like to spend time in the DPReview forums, particularly in the Micro Four Thirds forum, as my camera of choice is an Olympus OM-D E-M5. A frequent thread of conversation around there is "what to take to Disney World". I myself started such a thread a few months back.
I spent all of last week there with my wife and daughters (4.5 and 2 years old), and I thought I'd talk about my photographic experience, as it might be interesting for others looking to take a trip. This post is going to be from the point-of-view of a Micro 4/3 (m43) owner, in terms of what I noticed other people using, what I used, and what I think the ideal setup would be.
The entire Flickr set is available here. It's a lot more photos than I would normally post, but I wanted to make sure family and friends could see everything that the girls did, not just the photographic "keepers". And even this is trimmed down from 1700 total shots.
My goal when I purchased the E-M5 was to get a new DSLR-ish camera (upgrading from a Canon XTi), but which is much smaller and lighter than typical Canon or Nikon setups. A prime advantage of the m43 format is that a lens with an equivalent focal length and speed to a given Nikon/Canon lens will typically be much smaller and lighter than the Nikon/Canon lens, and the cameras are much smaller too.
A side-note: Because of the crop factor, a 25mm m43 lens will have a field of view (FOV) equivalent to a 50mm full-frame (35mm) DSLR lens.
The primary equipment I brought to Disney World was:
That's a *lot* of gear, but because everything is so small in the m43 world, I was able to pack it all into a fairly compact camera bag.
I took ~90% of my shots with the 25/1.4. It's a fantastic lens, with a 50mm equivalent FOV. I find that particular FOV great for walking around and getting most shots. Some people prefer a 35mm equivalent, but I've found that to be a bit wider than I like. I didn't carry all of that gear every day. Sometimes I went out with only the 25/1.4. Sometimes I'd bring all the lenses and no flash. And sometimes I'd bring the flash and leave the 12-50mm in the hotel.
The 12-50mm is important because like the E-M5, it's weather sealed. That means it can get wet and splashed without any worry. None of the other lenses I brought were sealed, so I was afraid to try any of them on rides like "Splash Mountain". The only time I ever put the 12-50mm on was during one of those wet rides. If my 25/1.4 was weather sealed, then I wouldn't have brought the 12-50mm to Florida with me.
I used the 40-150mm during the safari in Animal Kingdom, and at the Sanaa Resort restaurant, where giraffes, zebras, and other animals are walking by the windows while you eat dinner. I was also able to snag some butterfly shots with it.
I only used the 14mm/2.5 a few times, when I needed something wider than my 25/1.4, and wasn't carrying the 12-50mm. Luckily the 14mm is microscopically small, so carrying it in my bag added essentially no weight and took no extra space.
Until I bought the 25mm/1.4, the 45mm/1.8 was by far my favourite lens. It's ridiculously sharp and capable of some fantastic bokeh (example shot), and I use it whenever I can. But as a walk-around lens, it's less than ideal, with its 90mm equivalent FOV. I considered using it at dinners, but I had a lot of shots where a Disney character would come by and pose with my girls, and I'd need to move really far back to get them framed properly. Thus, the 25mm stayed on. I'm not even sure if I ended up using the 45mm at all during the trip.
The flash was used almost exclusively for character dining, where various Disney characters would come to our table during dinner and talk to the girls. The restaurants were often dimly lit, and I wanted to make sure I didn't miss a shot. I actually forgot to bring the flash for a few of these situations, and had to shoot at f/1.4, but it generally worked out ok.
A lens I wish I had, but didn't want to spend the money on ($1300 CDN!!!) is the Panasonic 12-35mm/2.8. This is a weather-sealed zoom lens that constantly gets great reviews. It would have covered the 25mm length that I used so much, but also given me some flexibility to go a lot wider and longer. There were definitely a lot of instances where I needed the light-gathering capability of the 25mm/1.4, so I think that if I owned the 12-35mm, I would have brought the 25/1.4 with me anyway.
Walking around, I took some mental notes on what other park patrons were carrying.
I didn't see a single other E-M5.
Given my week-long experience carrying my gear around, was this the right setup? Should others do the same? It depends.
In an ideal world, I think that if you want to take an m43 camera, the 12-35mm/2.8 + 25mm/1.4 would be a pretty killer combination. If you wore cargo shorts and were able to carry them around without an extra bag, it'd be quite nice.
That's an expensive setup though, between the camera and those two lenses. There are only a few shots that I think I missed because of my setup (where it would take too long to switch from the 25mm to my zoom, or to the 14mm), but it would have been nice not to miss anything.
For someone else doing this trip, with young kids, I think that it'd be smart to forgo an interchangeable lens system, and get a high quality pocketable compact like the Panasonic LX7, or Sony RX100. If you already own a m43, that's different, but don't buy one just for this trip. Maybe go for a super zoom if you want something that can go longer than those compacts, for things like the safari.
I made it work, but it's something of a hassle to carry the camera and the bag, and worry about the occasional lens swap, all while managing two little girls who just want to run around and have fun.
I'm glad I had it, and there were definitely shots I was able to get that a compact couldn't do (thanks to my fast lens), but it's hard to say how that compares to the trade-off of missing some low-light shots while not having to deal with a camera bag and large-ish camera.
If you're going with older kids who can take care of themselves, or if your main reason to go is for photographic opportunities, then an m43 system is highly recommended. But if you're taking little children, pause and think about the main purpose of the photographs.
A neat service that Disney offers is their Disney PhotoPass. They have photographers at key locations around the park, and at all of the character autograph spots. These photographers will shoot pictures for you with their Nikon gear, and then scan a little card that you carry around. When you're done your vacation, you can log in to disneyphotopass.com and see all the pictures they took for you.
Getting individual copies of a picture is expensive. $14.95 per shot. But they have a deal where you can purchase a digital copy of every single picture for $180, and if you choose to pay before the vacation, then it's only $120. They took 208 pictures for us, and I'm still deciding whether to buy them.
It's something to think about. The photographers are of varying skill levels, and they all use a flash for every shot, but they'll definitely capture a lot of key memories for you. You can pay $120, plus buy an LX7 or equivalent camera, for a lot less than an m43 system. You might not get the beautiful captures you'd want if you were to do it yourself, but again, ask yourself what the main point of these photos is.
UPDATE (February 2, 2024): If this post is helpful, and you’re interested in signing up for Voip.ms, please consider using my sign-up link https://voip.ms/en/code/parlarsignup I’ve been using Voip.ms for well over a decade now, and continue to be thrilled with the service!
My most popular post is easily my voip.ms setup description. Two parts of it that I've had requests for clarification on are the IVRs (Interactive Voice Response) and Callbacks.
To help people wanting to set those up in their own voip.ms instances, I've decided to post screenshots of my own configuration.
IVR Configuration
This first image, "IVR Configuration", shows the IVR I created (under "DID Numbers -> Digital Receiptionist (IVR)").
This IVR gets used whenever a Caller ID-blocked number calls me, or someone from a particular area code calls. The person calling is presented with a voice menu, which is a clip of me saying: "Press 1 if you are not a telemarketer, press 2 if you are a telemarketer". If they press 1, then my home phone rings. If they press 2, the system instantly hangs up on them.
That seems simplistic, and you might ask if anyone would ever press 2. What actually happens with most telemarketers is that they use an automated computer system to call, and the call gets passed to their operator a few seconds after their target picks-up the phone. This means that the recording is usually played while their computer is doing the transfer, and the telemarkter never hears it. They just sit there on the phone, waiting, not knowing they have to press a button to get to me. They eventually hang up, and my phone never rings.
The only trick is the "Recording" selection near the top. You have to first upload a voice recording from "DID Numbers -> Recordings", and then you can choose that voice recording on this screen.
Caller ID Filter
The second image, "Caller ID filter", is where the IVR actually gets used. It's created by going to "DID Numbers -> Caller ID Filter", and selecting "Click here to create a new filtering rule". What you can see is that for this filter to get run, the area code has to match 406. When it does, the Routing option tells it to go to the "Possible Telemarketer" IVR we created in the first image. I have a few identical versions of this filter, one for each area code I'm wary of, and one to intercept all "Anonymous CallerID number" calls.
Callback
The third image, "Callback", is where I create the Callback entry for cheap long distance calls from my cellphone (found under "DID Numbers -> Callback"). I have two such entries, and the one you're looking at here is "Long distance J". In the "Number to call" field you put your cell phone number, or whatever number you want voip.ms to callback to. Please see my original voip.ms blog post for a full description of what the Callbacks are for.
DID Settings
To actually make use of this callback, see the fourth image, "DID Settings". You get to these settings by going to "DID Numbers -> Manage DIDs". It's blurred out, but the first entry in this table, DID, is the phone number I bought from voip.ms specifically for these callbacks (I call it the "secondary number" in my original post). Whenever that number gets called, it will look at the "Routing" table, and see that it's supposed to use the "Callback". That's also blurred out, but it's the callback I configured above.
The only potential problem with the callbacks is that if *anyone, anywhere* calls the callback number, then voip.ms will call my cellphone with the callback. I've never actually had this happen though. Ideally, voip.ms would offer a filter that lets you block EVERY number from calling a DID except for one number, but they don't have that.
I hope this brief explanation and set of screen shots is able to help people more quickly get IVRs and Callbacks configured for themselves. As always, please contact me if there are any questions about it.
One thing I definitely needed to be able to do on Squarespace is properly format any source code I might have in a blog post.
I currently have one posted with code here. The Python code in the post is nicely formatted.
To do this, I followed the instructions at http://www.webmasterymadesimple.com/blog/displaying-formatted-source-code-in-a-squarespace-website.html For the most part I just followed the steps one by one, but there were a few wrinkles.
I'm going to write my own version of the steps. These essentially match the original article above, but I'll call-out when I had to do something different.
This worked fine for me. At the time of writing, the latest version is 3.0.83
This didn't work quite right. The original post calls for creating a directory, and then uploading into directory. For me, that ended up creating too many directories in the hierarchy. Instead, I skipped creating my own directory and just uploaded syntaxhighlighter_3.0.83.zip into the root of my storage area, remembering to check the Decompress Zip Files After Uploading option.
Then I simply renamed the uncompressed directory from syntaxhighlighter_3.0.83 to syntaxhighlighter
Here we add some Javascript to the Code Injection area of Squarespace. Go to Website Settings -> Code Injection and paste the following into the Extra Header Code area:
<!--SyntaxHighlighter code--> <script type="text/javascript" src="/storage/syntaxhighlighter/scripts/shCore.js"></script> <!-- At least one brush, here we choose JS. You need to include a brush for every language you want to highlight --> <script type="text/javascript" src="/storage/syntaxhighlighter/scripts/shBrushPython.js"></script> <script type="text/javascript" src="/storage/syntaxhighlighter/scripts/shBrushJScript.js"></script> <!-- Include *at least* the core style and default theme --> <link href="/storage/syntaxhighlighter/styles/shCore.css" rel="stylesheet" type="text/css" /> <link href="/storage/syntaxhighlighter/styles/shThemeDefault.css" rel="Stylesheet" type="text/css" />
The main difference between what I have here and the original post is the addition of the shBrushPython.js line. If you look at the Javascript itself, it tells you that this is required. The original blog post didn't explicitly mention to look, so I didn't initially realize it had to be done.
The original post calls for adding some Javascript to the Post-canvas HTML section. Unfortunately if you just have the Standard account, you don't get access to that. Instead, you need to switch your site to Structure view, scroll to the bottom of the page and click Edit Website Footer, and then insert the following code there:
<script type="text/javascript">
SyntaxHighlighter.all()
</script>
That's it for getting it installed properly. In terms of creating posts that use this feature, I'll refer you back to the original post, as all of his instructions there worked just fine for me. You only need to make sure that instead of brush: js you use brush: python
This website is now hosted on Squarespace. Over the years I've done a home-grown Django blog, as well as a hosted Wordpress site on Dreamhost.
For the amount of posting I actually do on the blog, oh of those solutions required too much upkeep. I've been looking at Squarespace for a long time, but wasn't happy with their previous pricing structure.
They've since moved to a simpler structure, and their new $8/month plan does 98% of what I want. The more expensive plan has a feature or two I'd be interested in, but not worth twice the monthly cost (for me, at least).
Otherwise I'm happy, and look forward to many long years of barely posting here.
At home I have a wonderful Fujitsu ScanSnap duplex sheet-fed scanner. I can put a stack of double-sided pages into it, and it creates a perfect PDF.
At my office I have an HP all-in-one printer/scanner/copier. It's not quite so nice. It does have a sheet-fed scanner, but it can only do single-sided scans. If I wanted to scan any double-sided documents, I more or less had to take them home and do it there.
I got sick of doing this and decided to write a little Python script that can take two PDF files, and collate/merge them. The first file represents all the odd-numbered pages in the stack of paper, and the second file is the even numbered (i.e. the backs of the odd-numbered pages). My process now is to scan the stack of paper to produce the odd-numbered-pages PDF. Then I flip the stack over and scan again, generating the even-numbered-pages PDF. This PDF is in reverse order (when you flip the stack over, the last page gets scanned first), so my program knows to go backwards through the even-numbered document. I pass these two files to my program and it collates them and outputs a new PDF. The end result is the same as if I had used my ScanSnap at home, just with a little more effort. Better than schleping the documents back and forth from the office every time.
You can find it in all its glory here: https://github.com/parlarjb/PDF-Merge
Google results for "iTunes Match download all" weren't fantastic, so once I figured it out on my own, I decided to document it here for future generations.
The problem: I have two Macs, and a lot of the music on one was not yet synced over to the other via iTunes Match. While it was easy enough to download one track at a time by clicking on the iCloud icon beside the track, that was going to be a huge pain for a large number of songs.
Here's what I did to solve this.
That's it! All your iTunes Match songs should start to download.
Yes, in hindsight this is all quite obvious, but I spent a good five minutes looking through iTunes for a button that says "Download All".
There's a video on YouTube that Lyra loves to watch, involving people going into a room full of balloons and popping them all. We decided to replicate that for her birthday.
A common request amongst Twitter users is for timeline syncing across devices. Personally, I use Twitter on my iPhone, iPad, MacBook Air and iMac. Checking on one, then later checking on another can be a huge pain, as the locations within the timelines are separate on all devices.
Recently Manton Reece released a new service named Tweet Marker. This is an API that authors of Twitter clients can take advantage, which will sync your location within the timeline up to a server, allowing other clients using the API to pull that location when you launch them. So if I check Twitter on my iPhone with Tweetbot, then an hour later load up Twitterific on my MacBook Air, Twitterific will automatically jump to wherever I was on the timeline when I exited TweetBot.
It's a terrific service, and works very well. As a long time user of Twitter, I'm happy we've finally got something like this.
One negative aspect of it (at least according to my understanding) is that the API is a little more focused on iOS devices. Namely, devices where you "quit" the Twitter app all the time, i.e. hitting the Home button. iOS Twitter clients taking advantage of Tweet Marker will explicitly sync their timeline position whenever you quit the app.
On the Mac, this causes a bit of a problem. It's more common to just leave your Mac apps running, rather than quitting them whenever you want to switch focus to something else. This results in Twitterific on the Mac rarely syncing its current position up to the Tweet Marker servers. If I could remember to quit Twitterific whenever I walked away from my Macs this wouldn't be an issue, but that's not something I'm going to remember.
What I needed was a way to automatically quit Twitterific after a set amount of time. They've got something like that coming in a future version, but even that functionality won't work for me. Namely, their support will only sync the timeline whenever the computer goes to sleep. My iMac *never* goes to sleep. I let the screen shut off, but my iMac runs a few server processes, so I can't have it sleeping.
The eventual solution I came up with was a combination of SleepWatcher and Keyboard Maestro.
SleepWatcher is a nifty little tool that runs in the background and can execute scripts of your choosing based on time-conditions. You can run scripts when the computer sleeps, when the monitor sleeps, after a settable idle time, when the computer wakes up, etc. What I want is to automatically shutdown Twitterific after my computer has been idle for 5 minutes.
To use SleepWatcher, you install it (follow the instructions that come with it) and create a .plist entry in your ~/Library/LaunchAgents directory. SleepWatcher comes with some example .plist files, but I've uploaded mine here. To tell your system to use this file, simply place the file into ~/Library/LaunchAgents/ and run the following command:launchctl load ~/Library/LaunchAgents/ca.parlar.sleepwatcher.plist
(Of course you'll rename ca.parlar.sleepwatcher.plist to something related to you)
The two key aspects of this file are the --timeout=3000 entry, which tells it to use an idle time of 5 minutes, and -i ~/bin/quit_applications which tells it to run the script quit_applications after the machine has been idle (-i) for the time specified by --timeout.quit_applications is a script that, for me, looks like:osascript -e 'tell application "Keyboard Maestro Engine" to do script "20ADAD78-FAB4-4709-80B6-CF497FC6FF0E"'
Where does that come from? Keyboard Maestro.
Keyboard Maestro is an application that can seemingly do anything. It lets you build very powerful macros that can be activated by keyboard shortcuts, menu drop-downs, scripts, and lots of other events.
The scripts option lets an Apple/Perl/Python/Ruby/Shell script activate a Keyboard Maestro macro. My macro for this setup is:
I've got the macro doing a few things more than just shutting down Twitterific after an idle time, and those can easily be changed to reflect whatever you might want to happen on your own system.
Using this combination, I've now got Tweet Marker working quite nicely across all my systems. Twitterific gets shut down on my Macs after a period of time. As long as I don't run a Twitter client on my iPhone/iPad in the 5 minutes before the iMac has an idle event, then everything is great.
Thanks again to Manton for the awesome Tweet Marker service, and the good folks behind Twitterific for Mac and iPad, and TweetBot (my current iPhone Twitter client). Thanks as well to Bernhard Baehr for SleepWatcher and Stairways Software for Keyboard Maestro.
I recently asked on Twitter if it was possible to tell cProfile to start recording in the middle of a run, rather when a function first starts.
In my particular case, I have a function (generator, actually) that runs beautifully fast for the first 2.3 million items it returns, but then hits some strange bottleneck. I tried debugging with pdb, but on data sets as large and as complicated as I'm dealing with, I couldn't quite figure out what was going on.
My friend Chris pointed out that the runcall method of Profile has references to enable and disable methods. I've never seen these before, and to be frank, I've never directly used the Profile class. The run function of the cProfile module has always been good enough for me.
With a bit of playing around, I was able to use these methods to do what I needed. In this example, chains is a generator. I simply disable the profiler immediately, and start it up at the point where I know things go wrong.
from cProfile import Profile
profiler = Profile()
def write_chains():
chain_count = 0
for chain in chains:
chain_count += 1
print chain_count
if chain_count == 2305838:
profiler.enable()
try:
write_chains()
except KeyboardInterrupt:
profiler.dump_stats('prof_output2')
Chris pointed out that I don't need to wrap write_chains() in a call to run(), which I was originally doing. Also, that dump_stats() causes disable() to be called, so I don't need to worry about that either.
I'm a life-long gamer. If you are too, do yourself a favour and watch this awesome video:
Also make sure to check out:
and
These are all by the same guy, Danny Wiessner.
UPDATE (February 2, 2024): If this post is helpful, and you’re interested in signing up for Voip.ms, please consider using my sign-up link https://voip.ms/en/code/parlarsignup I’ve been using Voip.ms for well over a decade now, and continue to be thrilled with the service!
UPDATE (May 6, 2012): This is by far my most popular blog entry. If you read this post and feel it needs more detail, please let me know.
UPDATE 2 (February 10, 2013): I've gone ahead and written a second post, detailing my IVR and Callback configuration
A few months ago, I decided that I was sick of paying $40+/month for our home phone service. We use the phone often enough that I didn't want to just get rid of it altogether, but I certainly didn't feel I was getting my money's worth. This post is a summary of what I found in my search, and a basic description of my setup with my eventual VoIP provider.
I started looking around, investigating which VoIP (Voice over Internet Protocol, i.e. telephone over the internet) options were available to me. My cable internet provider, Cogeco, has some reasonably priced phone packages, but as soon as you start adding "options", such as Call Display, Voicemail, etc., the price started to jump. I also looked into Vonage, the grand-daddy of consumer-level VoIP, but didn't feel that $19.99/month was cheap enough to "risk" moving to VoIP.
What risk am I talking about? The traditional phone system we're all used to, POTS, is incredibly reliable. Try to come up with the number of times in your life that you picked up your phone and there was no dial-tone. The number is probably somewhere in the vicinity of 0. Even in a power outage, POTS works just fine. Going VoIP means you're losing some of that reliability. You're taking a risk that the phone won't work when you need it to. We've all had our home internet connections go down, and experienced power outages. In either of those situations, VoIP won't work (note: You can get some battery-back-up solutions for VoIP setups so that you can still use the phone in a power outage. But these aren't the norm).
I did some more searching, and eventually voip.ms crossed my path. They're a Canadian-based VoIP provider (though they offer service to anyone in the world) with a fairly high reputation. One problem in the VoIP community seems to be an abundance of fly-by-night operations that might not be around in a few weeks. voip.ms has been around for awhile, and it doesn't look like they're going anywhere.
The initial advantage to voip.ms was cost. It's a pay-as-you-go system. Minimal-to-zero fixed monthly fees, and you only pay for the phone calls you make and receive. There are different prices for incoming and outgoing calls, and for each you can choose whether you want "Value" or "Premium" routing.
The Value routing costs about half of the Premium, but sound quality often won't be as good, and Call Display isn't guaranteed to always work. The Premium routing only costs 1.25 cents per minute for outgoing calls, and 1 cent per minute for incoming, so just do that.
With voip.ms, you can port over your existing phone number. There is a $25 cost associated with this, but it's a one-time thing. The amount of time for the port to happen is dependent on your existing phone provider. I was previously with Primus, and it took about a week before my number was moved to voip.ms.
You can actually assign multiple phone numbers to your account, which can be used for a variety of purposes, which I'll get to later.
The only fixed monthly-costs I have are related to the phone numbers. Each phone number you keep will cost between $1 and $2 per month, depending on which region the phone number is from. That's right, you can order phone numbers from almost any area code in North America, and assign them to your home phone. Have a relative that's too cheap to call you because they don't want to pay long distance? Just buy a phone number in their region, and they can thereafter make local calls to you. Most phone numbers only cost $0.50 to purchase, with the previously mentioned $1-2/month fixed cost.
In addition, any phone number that you want to support 911 calling will cost an additional $1.50/month. I personally have two phone numbers on my account, and 911 service tied to one of them. This brings my monthly fixed cost to $3.50.
I previously mentioned that while Cogeco was initially cheap, any calling features you added on later would increase your monthly bill. Not so with voip.ms. You get Call Display, Voicemail, Call Forwarding, custom Interactive Voice Responses (IVR), Email-forwarding of voicemails, Caller ID Filtering (i.e. block telemarketers), and more. All included.
One of the coolest things is the way they implement Caller ID Filtering. You can create custom rules which trigger actions based on the phone numbers of incoming calls. You can automatically send certain numbers to voicemail, automatically send phone numbers –—or even entire area codes— to an IVR, automatically hangup on incoming calls matching rules you create, and lots more.
In particular, I've created an IVR that gets activated on calls from certain telemarketer-heavy area codes. When a caller from one of those area codes calls my number, they get a recording of me, saying "Press 1 if you are a telemarketer, press 2 if you are not". If they press 1, it automatically hangs up on them. If they press 2, then the call continues and my phone begins to ring.
Anytime I get a call from a telemarketer in my own area code (which I can't filter out based on area-code alone), I hang up on the telemarketer, and log into my voip.ms account. Then I create a new rule specifically for that telemarketer's number. The next time they try to call me, they'll automatically get hung up on without my phone ever ringing.
In addition, I've got a rule that sends any calls with blocked Caller IDs to the IVR I described before. The great thing is that a lot of telemarketers use robo-dialers to make the initial call, and a human only picks up the phone once I answer and start talking. Those robo-dialers get tripped up by my IVR, and usually automatically time out after 30 or 40 seconds.
Another feature that's really handy is Callbacks. These are the reason I have the second phone number. This might be surprising to any American readers, but here in Canada, we typically have to pay extra to make long distance calls from our cellphones. What I've done to circumvent that is created a Callback on the secondary number. Here's what happens when I need to make a long distance call from my cellphone:
Call the secondary number from my cellphone
This will always give a busy-tone
Hang-up after hearing the busy-tone
Within 5 seconds, my cellphone receives a phone call from my VoIP account
I answer and am presented with a standard dial-tone
I can then dial whatever long distance number I want, and the call will be connected
The end result of this is that my cellphone is simply receiving an incoming call. My VoIP account is making two outgoing calls. One to my cellphone, and one to the number I entered when presented with the dial-tone. So the total cost to me is then $0.0125*2 = 2.5 cents per minute. WAY cheaper than what my cellular provider charges.
There's a lot more than you can do with voip.ms, but I think I'll leave it at that. I should mention there are two negatives associated with the service:
You have to provide the VoIP hardware yourself
Initial setup of the hardware and your voip.ms account can be a little tricky
The VoIP hardware I chose is the Cisco/Linksys PAP2T. I got it from Canada Computers for about $50. One brilliant aspect of VoIP is that it's incredibly easy to wire into your existing home phone lines. Simply disconnect the line coming in from the street (usually done at a junction box outside your house), and plug the PAP2T into any phone jack in the house. You'll be able to continue to use all the phones you already have in your house.
The PAP2T does need to be configured with appropriate settings for voip.ms, and other random things that I don't really understand. Your best bet for configuring both your voip.ms account and your PAP2T is to follow the large number of guides that take you through it step-by-step. The fine folks at the DigitalHome.ca VoIP forums are also quite helpful. voip.ms themselves have excellent customer support.
It took me a few hours to get everything configured exactly as I wanted it, but ever since it's been working beautifully, and I'm average about $6.50/month on home phone service instead of the $40+ I was paying before. Even factoring in the cost of buying the PAP2T, the switch to voip.ms more than paid for itself within two months. Call quality has been phenomenal, and everything has *just worked*.
I ended up staying away from the particulars of my setup in this post, but if there's demand, I can write another one going into more of the details about a decent voip.ms configuration, and explain some of the other terminology they use.
I take backups seriously. Very seriously. I currently use a combination of five different backup technologies, each with a special function. I've described my setup to enough people in person that I thought it might be worthwhile to get it down somewhere more permanent.
I don't remember where I first heard it, but a good rule of thumb to live by is:
Approach your back-up strategy as if your internal harddrive is always five minutes away from dying.
Harddrives die all the time. Often without any warning whatsoever. What everyone needs is an automated, reliable backup strategy.
The five technologies I use are:
These represent a combination of on-site (the backup drive lives in the same location as the computer) and off-site (it lives somewhere else). There are advantages and disadvantages of both, and I'll get into those as they come up.
Note: Only two of the technologies I use here (Time Machine and Super Duper) are actually specific to Macs. The other three are platform independent, so there should be useful info even if you're running Windows or Linux.
Time Machine is the backup software built into every Mac (as of OS X Leopard). It's an on-site backup system, which backs up every byte of data on your computer. It requires an external harddrive be attached to your computer to perform the backups.
One of the key advantages of Time Machine is that not only does it back-up what's currently on your computer, but it also keeps old versions of backups. Let's say you've got a document that you've been working on for months, and at some point you remove a few pages from it. A month or two later, you realize you need to get those pages back. Time Machine will actually let you "go back in time", grab the old version of the document, and restore it alongside the new version. You can then pull out whatever you need from the old one, and you're good to go.
Time Machine does not guarantee that it will always have all old versions of documents, so it's not a replacement for a proper versioning system, but it's nice to know you've got some history. It does guarantee that at a minimum, it will have the full contents of your system (at the time of the back-up).
The other advantage of Time Machine is that it does full-system back-ups. Many backup technologies (including some I'll discuss here) only back-up certain portions of your system. Why do you want a full-system backup? Let's say that the harddrive in your Mac dies. You go to your friendly Apple Store, and they put a fresh new one in for you. Now what? You don't want to have to reinstall all your software by hand. Intead, you can instruct your Mac to "Restore from Time Machine". It will read the data off of your Time Machine backup, and configure your computer exactly like it was before your drive crashed. All your apps will be there, all your settings will be present. Even your desktop background image will be correct. This can save days of work.
Everyone who has a Mac should use Time Machine. Period. All it will cost you is an external harddrive. You don't even have to remember to back-up. As long as the drive is plugged into your computer, the backups will happen automatically.
Super Duper is another on-site backup system, which like Time Machine, requires an external harddrive. Also like Time Machine, it makes full-system backups. Unlike Time Machine, it does not do versioned backups. A Super Duper backup will represent exactly what is on your computer at the time of the backup, no more, no less.
So why use Super Duper? It doesn't seem to be getting us anything that you can't do with Time Machine. I use Super Duper for two reasons:
I want on-site redundancy because I just don't trust having only one on-site backup. Things can always go wrong. The drive holding my Time Machine backup could go bad, or Time Machine itself could have a software fault which corrupts my backup. I've never seen the latter, but anything's possible. Better to have two separate technologies.
The real win of Super Duper is the bootable backups. What does this mean? Let's return to the scenario from before, where the harddrive inside your Mac dies. What happens if you just don't have time to go get a replacement drive? Some piece of work needs to be done, and it just can't wait. What Super Duper allows you to do is reboot your Mac, and when it starts up again, instead of using its internal harddrive, it'll actually start from the Super Duper drive! You can get right back to work. It won't be as fast as using an internal drive, but any drive is faster than a dead drive. This lets you get done whatever needs to be done, so you can go get your internal drive replaced when the time is right.
Like Time Machine, Super Duper can also do a full-system restore, so you don't need to reinstall the OS, applications, etc.
There's a free version of Super Duper, but the restriction on it is that whenever it does a back-up, it has to back-up the entire drive again. This can take hours. The paid version adds in smarts so on a backup, it only has to copy over what changed from the previous backup. Plus, you're supporting an independent developer who's built an awesome product.
CrashPlan is the first of the off-site backup technologies I want to talk about. Why do I need off-site backups? I've already got two different backups at home, what's the point of having more?
I've got irreplaceable things on my computer. Every picture I've taken of my daughters. Tons of movies showing them growing up. All my software I've written. My Ph.D. thesis. Etc. etc. etc. What happens if my house burned down? Or someone broke in and stole everything? There's no way to get that stuff back. This is why an off-site backup is vital to anyone that takes backups seriously.
With CrashPlan, your computer sends its backups over the internet. You have a few choices in how you want to do that. The first, and most typical, is to have the data reside on CrashPlan's servers. Everything is encrypted before being transmitted so they can't read your stuff, but it'll live safe-and-sound on their machines. If you ever need to restore the data, you use the CrashPlan program to download it again. If you're using CrashPlan's servers to back-up, you'll have to pay a small monthly fee, which varies depending on how much space you use.
I don't actually save any data on their servers. Instead I use their alternate option, which I think is much cooler.
What's the problem with doing full backups over the internet? Upload speeds for most home users are *very* slow. How long will it take you to back-up your hundreds of gigabytes of pictures/movies/music/etc.? Days, weeks or even months, depending on how much you have. And if you have a major data loss (i.e. house burns down), it'll take a pretty long time to download it all again. Plus here in Canada, land of the internet-caps, you may end up getting charged overage fees for doing that initial backup.
What CrashPlan lets you do is attach an external harddrive to your computer, perform the initial backup onto that harddrive, then bring the drive to a friend's home to live attached to their computer. You don't have to incur the time/bandwidth cost of that first initial backup. All subsequent back-ups happen over the internet, updating the data on that harddrive. And if you have to do a restore, you can just grab the harddrive from their house and attach it to your computer again. The data is all encrypted, so your friend can't read your files. It's a fairly awesome system.
One thing CrashPlan can't do is full-system backups. You can back-up all the data on your computer, but you won't be able to do an automated system restore like you can with Time Machine or Super Duper. Personally, I have it back-up everything in my home folder. If my house burns down, it means I'll have to reinstall my OS and applications, but my pictures, movies and documents will all be safe and sound.
The other great thing about CrashPlan? It's completely free in this scenario. You only pay them if you're storing data on their servers.
SpiderOak is a relatively recent addition to my arsenal. Like CrashPlan, it can't perform full-system backups. You tell it exactly which folders you want to back-up. All the data you back-up lives on SpiderOak servers. Their claim to fame is their security and encryption. They are technically incapable of looking at the contents of your files. Even under a court order, they could not reveal the contents of a customers files, due to the nature of their encryption.
I use SpiderOak for two things: Off-site redundancy (so I don't have to solely rely on CrashPlan) and syncing.
I have two primary computers. An iMac at home, and a MacBook Air that I take to the office. SpiderOak gives me the ability to keep folders in-sync across the two machines, so any changes I make to files in a sync folder on one machine will automatically propagate to that sync folder on the other. This lets me avoid the hassle of manually copying files back and forth, and worrying about which is newer or older. SpiderOak takes care of it for me.
SpiderOak's pricing is pretty great. If you're an education user, they charge $5/month for up to 100GB of data storage. It's $10/month for non-education folks. Either way, very cheap.
Dropbox is not designed as backup software, per-se. Instead it is designed primarily as syncing software, providing the same functionality I just described with SpiderOak. So why do I use both? Certain applications are capable of being configured to use your Dropbox account to automatically sync their settings and contents across machines via Dropbox. In particular, I use it for 1Password. Any passwords I add to my password database on my iMac will automatically be available on my MacBook Air, my iPhone and my iPad.
Dropbox does keep copies of your data on their servers, so you can access all your files via their webpage. The problem is that information has recently come to light that the data is not really encrypted on their servers, so Dropbox employees could read your files. My recommendation is to only store encrypted documents on Dropbox.
If it's not apparent by now, I'm really paranoid about my backups. A few years ago (before developing this strategy), I had a harddrive crash and almost lost every picture I'd ever taken. After a week of stress, hard work and black magic, I managed to pull the data off the drive. But this is outside the realm of possibility for 99% of people, so better to just be safe. All of the technologies I mentioned here are set-it-and-forget-it. Configure it once, and the software will take care of performing the backup for you.
It's an unfortunate fact that most people don't develop a proper backup strategy until after their first major data loss. My hope with this post is that at least one person will see how easy it is to have a solid back-up strategy. It shouldn't cost you much to buy a few external harddrives. And honestly, what's more important? One or two hundred dollars, or every single picture you've ever taken?
I thought it important I bring up 1Password a little more explicitly. This is software for auto-generating passwords for you, and securely storing them. Too many people use just one or two passwords, and share them across multiple sites. In short, this is a horrible idea. All it takes is for one of those sites to be hacked, and the attacker could get your password. Then it's just a matter of trying that password at various common sites. Use the same password for random site X as you do for your email, and they'll probably be able to get into your email account. And once their, they can initiate password-reset emails at a variety of other sites, and do all sorts of horrible things to you.
1Password is an infinitely better way of doing this. It can auto-generate incredibly secure passwords, store them in an encrypted database, and auto-fill them when you need them. It comes with plugins for every popular browser, so when you browse to a page that needs you to log-in, it can autofill your password. It's incredible, and I use it dozens of times per day. Go spend the money and buy this now. Please.